![]() He also took marketing cues from the auto industry by introducing guitars finished in Cadillac Green, Jaguar Tan, and Copper Mist and conducting traveling “Guitarama” shows and demonstrations around the country.ġ954 was truly a banner year for Gretsch and Jimmie Webster. It was Webster’s idea to cover the top of the solid body Silver Jet guitar with a flashy, sparkle drum finish from Gretsch’s drum department. Webster and Gretsch led an industry “color revolution” and took guitars beyond their conservative natural or sunburst finishes. Throughout the decade, Webster proved to be Gretsch’s main “idea man” in his quest to distinguish Gretsch guitars from the competition. Based on industry trade journals, the event was well attended and very successful in getting Gretsch the awareness and exposure the company needed. Webster demonstrated the new Gretsch single cutaway Electromatic and Electro II hollow body electric guitars. Webster led a successful, three-day promotional show for music dealers and professional musicians at New York’s Park Sheraton Hotel. In 1951 Gretsch informed the music industry (and market leader Gibson) it was serious about manufacturing a professional line of electric guitars. The 1950s: A Golden Decade for Jimmie Webster and Gretsch Guitars. Webster’s long association with Gretsch guitars would span four decades. where he became more involved with the Gretsch Company. After the war, Webster moved to Long Island, N.Y. Webster was also an in-demand professional piano tuner, ran a small music store, and began doing a little consulting work for the Gretsch Company.ĭuring World War II Webster served as a musician in the U.S. In the 1930s Webster was a professional musician in the New York City area and married L’Ana Hyams, one of the first women jazz bandleaders. ![]() ![]() Keeping the family tradition alive, Webster excelled at piano but also had a passion for the guitar. Both parents played as well as taught piano and his sister, Virginia, became a well-respected jazz pianist. Includes a deluxe hardshell case.Jimmie Webster was born on Augin Van Wert, Ohio into a very musical family. The iconic G6136-55 Vintage Select Edition ‘55 Falcon™ Hollow Body with Cadillac Tailpiece is the quintessential “Holy Grail” guitar. ![]() The White Falcon drips with sophisticated class, sporting shining gold hardware-including the iconic Cadillac “G” tailpiece and gold jeweled arrow knobs-gold sparkle bound neck, body and F-holes, gleaming vintage white gloss nitrocellulose lacquer finish and gold, vintage thick plexi pickguard with Gretsch logo. The 12”-radius ebony fingerboard with 22 medium jumbo frets and elegant mother-of-pearl Hump Block and feather inlays tops a maple neck with a comfortably familiar standard “U”-shaped profile for supple playability, making complex chords and intricate single-note playing effortless. Parallel tone bars reinforce the solid spruce top mated to laminated maple back and sides for powerful, balanced sound and increased projection from the 2.75”-deep body. ![]() The Synchro-Sonic™ bridge not only lends original-era authenticity, it offers pinpoint intonation accuracy, locking into place with a thumbscrew for tool-free adjustment. Fluid playability, robustly flexible tone and, of course, stunning Falcon style combine for a big, bold instrument that pops in the spotlight.Ī pair of TV Jones® T-Armond single-coil pickups and the new Gretsch “Squeezebox” paper-in-oil capacitors power this sonic raptor for crystal-clear transparent tone that lets the soul of the guitar’s definitive hollowbody tone shine through. The G6136-55 Vintage Select Edition ‘55 Falcon™ Hollow Body with Cadillac Tailpiece is a true “Dream Guitar” that will be the hallmark of any guitar collection. Gretsch G6136-55 Vintage Select Edition '55 Falcon Hollow Body with Cadillac Tailpiece TV Jones T-Armond Pickups Vintage WhiteĮxperience the Falcon as it was envisioned by the great Jimmie Webster in 1955. ![]()
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